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So already, Drive has a unique protagonist made from a big-time star and some of the most gracefully handled violence ever put into theaters, but the main thing that sets it apart from the formula most car movies plug into is precisely in its handling of all of its driving sequences.Ĭar movies today love to use giant jumps and crazy explosions and someone usually leans out of a door and fires a gun while somehow using his go-go gadget arms to keep his hand on the wheel.
#Drive 2011 best chase scene movie#
The outbursts are so shocking and so sudden when they come from such a silent figure as the Driver I can promise you that this movie is officially one of the most unforgettable pieces of cinema I have ever seen. It is easily some of the most gruesome and graphic displays of carnage I have ever seen, but it has a strange finesse to it. There is not a whole lot of it, but when it arrives, it arrives. Others see it as humorous, like Pulp Fiction, and others see it as raw and primal, like Fight Club.ĭrive does violence unlike anything I have ever seen. Some movies see it as flowing and stylish, like 300. The phrase that can perhaps best describe him here is “quietly brilliant”. It sure makes The Notebook look like a joke.
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Taking on a role that would not garner as much attention as some front line action flicks or rom-coms is risky, but this role has ultimately come to define how I see Ryan Gosling. He speaks maybe 40 lines the entire movie. However, his role is surprisingly small, even if he is technically the lead actor. If it sounds like a Fast and the Furious rip-off, it is anything but.Īs I have said, Ryan Gosling is about the only big name you are going to find with this movie. Things go awry of course, when a particularly important job goes wrong, and the Driver is thrust in a circle of awful bloodshed. He gives them five minutes, no more or less, and makes his clients swear to not involve him in their business. It was the most important movie of 2011, because it showed us what can be done when people dare to be inventive.ĭrive follows The Driver, a man who works during the night as a getaway man for anyone who is willing to follow his rules.
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There was no 3D, the special effects were minimal, and the formulaic approach that many audiences were expecting was tossed in favor of an incredibly gripping, slow-build-to-the-top style of story. Ryan Gosling starred, but his presence was minimal, as you will hear later. Sequels ( Breaking Dawn and The Hangover Part II, to name some lows) unrestrained 3D, and forgettable star-plugged blockbusters (Natalie Portman in Thor? Really?) assaulted audiences with their heavy emphasis on attracting us gullible folks into thinking crazy special effects and big names are going to turn into a good movie.ĭrive took every single thing that seems to be trending in the film industry today and tossed it. This year in movies was about money, maybe more than any other year we have experienced. I will tell you how in a moment, but let’s talk about the kinds of things we saw in theaters the past year. We are doing the MVP of movies in 2011, and that honor undisputedly goes to Drive. I found this out after I tried to begin a Movie of the Year article, but after consulting a friend who I consider one of the “indie” types and he gave me a list of about a dozen movies he considered candidates, I wrote the article off. I am not as big of a movie buff as I thought I was.